{"id":2324,"date":"2019-03-06T04:08:14","date_gmt":"2019-03-06T12:08:14","guid":{"rendered":"http:\/\/draculascastle.com\/wordpress\/?p=2324"},"modified":"2019-03-06T04:11:17","modified_gmt":"2019-03-06T12:11:17","slug":"motivul-pentru-care-i-l-caragiale-a-parasit-ro","status":"publish","type":"post","link":"https:\/\/draculascastle.com\/wordpress\/?p=2324","title":{"rendered":"Motivul pentru care I.L.Caragiale a parasit RO"},"content":{"rendered":"\n

\n\n\n\t\n\t\n\t\n\t\n\n\n\nCutremurator….urma\u0219ii\nnu se dezmint\n\n\t\n\n<\/p>\n\n\n\n

\nMotivul\npentru care Ion Luca Caragiale a p\u0103r\u0103sit Rom\u00e2nia \u0219i a ales s\u0103\nmoar\u0103 \u00een Germania. \n<\/h1>\n\n\n\n

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GALERIE\n\t\t\t\t\tFOTO<\/a>Fotografie\n\t\t\t\t\tistoric\u0103: George Co\u0219buc, Elena Vaida Voievod, dr. Ciuta\n\t\t\t\t\t(Bistri\u021ba), Alex. Vaida-Voievod, I.L. Caragiale la Karlsbad, \u00een\n\t\t\t\t\tGermania, \u00een 1911 (de la st\u00e2nga la dreapta)\n\t\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t<\/p>\n\n\n\n

Se\n\t\t\t\t\u00eemplinesc pe 1 februarie 167 de ani de la na\u0219terea celui \u201emai\n\t\t\t\tmare dramaturg rom\u00e2n\u201d<\/em>,\n\t\t\t\tdup\u0103 cum \u00eel numea George C\u0103linescu pe Ion Luca Caragiale.\n\t\t\t\t\u0218tiai c\u0103 \u201enenea Iancu\u201d a p\u0103r\u0103sit Rom\u00e2nia \u0219i a ales s\u0103\n\t\t\t\tmoar\u0103 \u00een Germania, la Berlin? A preferat str\u0103in\u0103tatea, tocmai\n\t\t\t\tel, care a\n\t\t\t\tsurprins at\u00e2t de bine \u00een personajele sale spiritul\n\t\t\t\tcarpato-danubiano-pontic (VIDEO aici!)<\/strong><\/a>,\n\t\t\t\ta satirizat at\u00e2t de ascu\u021bit \u00een scrierile sale tarele dintr-o\n\t\t\t\t\u201eso\u021bietate f\u0103r\u0103 prin\u021bipuri, care vas\u0103zic\u0103 c\u0103 nu le are\u201d\n\t\t\t\t(Zaharia Trahanache, actul I, scena III, \u201eO scrisoare\n\t\t\t\tpierdut\u0103\u201d).<\/p><\/blockquote>\n\n\n\n

Totul\n\t\t\t\ta \u00eenceput cu ultima pies\u0103 (din 9) scris\u0103 de Caragiale, singura\n\t\t\t\tdram\u0103 printre comedii, \u201eN\u0103pasta\u201d, publicat\u0103 \u00een\n\t\t\t\t\u201eConvorbiri literare\u201d \u00een anul 1890 \u0219i jucat\u0103 pe scena\n\t\t\t\tTeatrului Na\u021bional din Bucre\u0219ti \u00een acela\u0219i an. Jurnalistul\n\t\t\t\tConstantin Alexandru Ionescu, autor de \u201eeseuri,\n\t\t\t\tpove\u0219ti scurte \u0219i proz\u0103 \u00een versuri, notabile pentru cultur\u0103\n\t\t\t\tpopular\u0103, dar cu un impact mic asupra literaturii rom\u00e2ne\u201d<\/strong>\n\t\t\t\t(George C\u0103linescu), cunoscut sub pseudonimul Caion, l-a acuzat\n\t\t\t\tde plagiat dup\u0103 piesa \u201eNenorocul\u201d a scriitorului maghiar\n\t\t\t\tIstvan Kemeny.<\/p><\/blockquote>\n\n\n\n

\n\t\t\t\tMotivul\n\t\t\t\tpentru care Ion Luca Caragiale a p\u0103r\u0103sit Rom\u00e2nia \u0219i a ales s\u0103\n\t\t\t\tmoar\u0103 \u00een Germania<\/h2>\n\n\n\n

Acuza\u021bia\n\t\t\t\t\tde plagiat a fost publicat\u0103 de Caion \u00een aceea\u0219i revist\u0103\n\t\t\t\t\t\u201eConvorbiri literare\u201d (1867-1886 la Ia\u0219i, 1886-1944 la\n\t\t\t\t\tBucure\u0219ti), pe 30 noiembrie 1901, \u00eentr-un articol denumit\n\t\t\t\t\t\u201eDomnul Caragiale\u201d. Mai mult, a plusat \u00een urm\u0103torul num\u0103r\n\t\t\t\t\tal revistei cu alt articol, mai dur, intitulat \u201eDomnul\n\t\t\t\t\tCaragiale n-a plagiat, a copiat\u201d, \u00een care venea cu noi\n\t\t\t\t\tacuza\u0163ii, al\u0103turi de un rezumat al dramei \u201eNenorocul\u201d a\n\t\t\t\t\tlui Kemeny. Deosebit de afectat, Caragiale a cautat piesa\n\t\t\t\t\trespectiv\u0103 \u0219i a descoperit c\u0103 totul era o inven\u021bie a lui\n\t\t\t\t\tCaion, scriitorul ungur nici m\u0103car nu exista, a\u0219a c\u0103 l-a dat\n\t\t\t\t\t\u00een judecat\u0103 pe amatorul de senza\u021bional \u0219i publicitate pe\n\t\t\t\t\tspinarea sa.\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t<\/p>\n\n\n\n

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Barbu\n\t\t\t\t\t\u0218tef\u0103nescu Delavrancea \u0219i Ion Luca Caragiale, doi mari\n\t\t\t\t\tscriitori, doi mari prieteni\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tIon\n\t\t\t\t\tLuca Caragiale a luat foarte personal atacul lui Caion, a\u0219a c\u0103\n\t\t\t\t\t\u0219i-a angajat un avocat cunoscut \u00een procesul intentat acestuia,\n\t\t\t\t\tnimeni altul dec\u00e2t confratele \u00eentru scris Barbu \u015etef\u0103nescu\n\t\t\t\t\tDelavrancea. \u00cen fa\u021ba instan\u021bei Caion a recunoscut \u201ef\u0103c\u0103tura\u201d\n\t\t\t\t\t\u0219i c\u0103 toate acuza\u021biile pe care i le adusese lui Caragiale\n\t\t\t\t\terau nefondate. Caragiale, normal, a c\u00e2\u0219tigat procesul, iar\n\t\t\t\t\tCaion a fost amendat \u00een martie 1902 cu 500 de lei (salariul\n\t\t\t\t\tmediu era de 120 de lei), condamnat la 3 luni de \u00eenchisoare\n\t\t\t\t\tcorec\u0163ional\u0103 \u015fi obligat la plata a 10.000 de lei cu titlu de\n\t\t\t\t\tdesp\u0103gubiri civile. A f\u0103cut recurs \u0219i a fost achitat \u00een\n\t\t\t\t\tiunie 1902, \u00een urma unui nou proces, la care, aten\u021bie!, s-au\n\t\t\t\t\tv\u00e2ndut bilete ca la teatru!\n\t\t\t\t\n\t\t\t\t<\/p>\n\n\n\n

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\nIon\n\t\t\t\tLuca Caragiale \u00een timpul procesuluinintentat \u00eempotriva lui\n\t\t\t\tConstantin Alexandru Ionescu, cunoscut sub pseudonimul Caion\n\t\t\t\t<\/p>\n\n\n\n

\n\t\t\t\t\u201e<\/em>Nu\n\t\t\t\tmai pot tr\u0103i aici! E prea grea duhoarea! M-am s\u0103turat s\u0103 v\u0103d\n\t\t\t\tacelea\u015fi mutre, acelea\u015fi fosile cari conduc via\u0163a public\u0103\u201d<\/em><\/h2>\n\n\n\n

Ion\n\t\t\t\t\tLuca Caragiale fusese concediat din motive politice, \u00een 1901,\n\t\t\t\t\tdin postul de registrator pe care-l ocupa la Regia Monopolurilor\n\t\t\t\t\tStatului. Era de orientare conservatoare, critica liberalii, iar\n\t\t\t\t\tace\u0219tia, ajun\u0219i la putere \u00een 1901 (guvernul D.A. Sturdza),\n\t\t\t\t\tl-au pus pe liber. Recunoa\u0219te\u021bi vremurile de azi? Decizia\n\t\t\t\t\tinstan\u021bei de a-l achita pe Caion \u00een ciuda tuturor eviden\u021belor\n\t\t\t\t\ta venit ca bomboana pe coliv\u0103 \u0219i <\/p>\n\n\n\n

\u201eCel\n\t\t\t\t\tmai mare dramaturg rom\u00e2n\u201d<\/strong> \n\t\t\t\t\t(George C\u0103linescu), revoltat \u0219i sc\u00e2rbit, se hot\u0103r\u0103\u0219te s\u0103\n\t\t\t\t\tp\u0103r\u0103seasc\u0103 \u021bara definitiv. <\/p>\n\n\n\n

\u201eNu\n\t\t\t\t\tmai pot tr\u0103i aici! E prea grea duhoarea\u201d<\/strong>,\n\t\t\t\t\tle spune prietenilor \u0219i, dup\u0103 ce prime\u0219te o mo\u0219tenire\n\t\t\t\t\tsubstan\u021bial\u0103 de la o m\u0103tu\u0219\u0103, pleac\u0103 din Rom\u00e2nia \u00een 1904\n\t\t\t\t\t\u0219i se stabile\u0219te la Berlin, \u00een cartierul Willmersdorf.\n\t\t\t\t\n\t\t\t\t<\/p>\n\n\n\n

De\n\t\t\t\tunde \u00eei scria, c\u00e2\u021biva ani mai t\u00e2rziu, amicului Alexandru\n\t\t\t\tVlahu\u021b\u0103, care \u00eel tot ruga s\u0103 se \u00eentoarc\u0103 acas\u0103: \u201ePentru\n\t\t\t\tnimic \u00een lume n-a\u015f p\u0103r\u0103si acest col\u0163 de via\u0163\u0103 str\u0103in\u0103\n\t\t\t\tpentru a m\u0103 re\u00eentoarce \u00een patrie. S\u0103 mai v\u0103d ceea ce am\n\t\t\t\tv\u0103zut, s\u0103 mai suf\u0103r ceea ce am suferit, acelea\u015fi mutre,\n\t\t\t\tacelea\u015fi fosile cari conduc via\u0163a public\u0103, otr\u0103vindu-te numai\n\t\t\t\tcu privirile lor stupide \u015fi b\u0103nuitoare. Nu, dragul meu, nu!\n\t\t\t\tM-am exilat \u015fi at\u00e2ta tot. Aerul de aicea \u00eemi prie\u015fte, sunt\n\t\t\t\tmul\u0163umit cu ai mei \u015fi n-am ce c\u0103uta \u00eentr-o \u0163ar\u0103 unde\n\t\t\t\tlingu\u015firea \u015fi ho\u0163ia sunt virtu\u0163i, iar\u0103 munca \u015fi talentul,\n\t\t\t\tvi\u0163ii demne de comp\u0103timit\u201d<\/strong>.<\/p><\/blockquote>\n\n\n\n

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\n\u201eNenea\n\t\t\t\tIancu\u201d Caragiale s-a s\u0103turat s\u0103 vad\u0103 <\/p>\n\n\n\n

\u201eacelea\u015fi\n\t\t\t\tfosile cari conduc via\u0163a public\u0103\u201d<\/em>\n\t\t\t\t\u0219i, sc\u00e2rbit de \u021bara sa, a plecat \u00een Germania<\/p>\n\n\n\n

\n\t\t\t\tA\n\t\t\t\tmurit \u201erapid,\n\t\t\t\tf\u0103r\u0103 \u0219ov\u0103ire, a\u0219a cum desigur \u0219i-o dorise, esen\u021b\u0103 \u00een\n\t\t\t\tspa\u021biu, verb f\u0103r\u0103 adjectiv\u201d<\/em><\/h2>\n\n\n\n

A\n\t\t\t\tscris \u00een continuare \u0219i \u00een Germania, dar pentru c\u0103 nu dorea s\u0103\n\t\t\t\tse mai expun\u0103, a f\u0103cut-o sub pseudonim. A fost nevoit s\u0103\n\t\t\t\tmunceasca din greu pentru a-\u0219i putea \u00eentre\u021bine familia. Scria\n\t\t\t\tp\u00e2n\u0103 noaptea t\u00e2rziu \u0219i c\u0103l\u0103torea mult. Din c\u0103l\u0103torii s-a\n\t\t\t\tales cu o r\u0103ceal\u0103 care s-a cronicizat \u0219i care, combinat\u0103 cu\n\t\t\t\tfumatul \u00een exces, \u00eei provoca dese accese de tuse \u00een ultima\n\t\t\t\tperioad\u0103 a vie\u021bii. \u00cen seara datei de 8 iunie 1912, i-a spus\n\t\t\t\tso\u021biei, Alexandrina Burelly, fiic\u0103 de actor, cu care era\n\t\t\t\tc\u0103s\u0103torit din 8 ianuarie 1889, c\u0103 are de g\u00e2nd s\u0103 lucreze\n\t\t\t\tp\u00e2n\u0103 noaptea t\u00e2rziu \u00een dormitorul lui. Numai c\u0103\u2026<\/p><\/blockquote>\n\n\n\n

\u201e<\/strong>Diminea\u021b\u0103,\n\t\t\t\tCaragiale n-a mai ap\u0103rut \u00een salon s\u0103 asculte o \u00abfug\u0103\u00bb de\n\t\t\t\tBach. Am lucrat singur\u0103, am \u00eenceput s\u0103 studiez marea sonat\u0103\n\t\t\t\tde Schumann \u00een fa diez minor, bucat\u0103 dramatic\u0103 \u0219i grea.\n\t\t\t\tDintr-o dat\u0103 un \u021bip\u0103t a sf\u00e2\u0219iat fiorul melodic. M-am ridicat\n\t\t\t\tcuprins\u0103 de fric\u0103 \u0219i am fugit spre odaia de culcare a lui\n\t\t\t\tCaragiale. U\u0219a era deschis\u0103. El, alunecat pe jos, l\u00e2ng\u0103 pat,\n\t\t\t\tcu m\u00e2na st\u00e2ng\u0103 crispat\u0103 pe cear\u0219af, capul dat pe spate, fa\u021ba\n\t\t\t\talb\u0103, ochii fic\u0219i. \u00cengrozit\u0103, so\u021bia lui \u00eel privea n\u0103uc\u0103.\n\t\t\t\tV\u0103zuse c\u0103 nu ap\u0103ruse ca de obicei, \u00eendr\u0103znise la ora 11 a.m.\n\t\t\t\ts\u0103 bat\u0103 la u\u0219\u0103. T\u0103cerea o \u00eengrijorase. A deschis, a v\u0103zut,\n\t\t\t\ta \u021bipat. Cum s\u0103 faci loc durerii, a\u0219a, pe nea\u0219teptate? \u00cen\n\t\t\t\tajun, seara, la mas\u0103, ne fermecase cu pove\u0219ti, proiecte \u0219i\n\t\t\t\tvoie bun\u0103. Nu ne mai tachinase pentru tendin\u021bele noastre spre\n\t\t\t\tpoezia cu metafore absurde, r\u00e2sese de verva cu care declama Luki\n\t\t\t\tpasti\u0219uri compuse de el\u2026 Moartea \u00eel atinsese rapid, f\u0103r\u0103\n\t\t\t\t\u0219ov\u0103ire, a\u0219a cum desigur \u0219i-o dorise, esen\u021b\u0103 \u00een spa\u021biu,\n\t\t\t\tverb f\u0103r\u0103 adjectiv\u201d<\/strong>,\n\t\t\t\tavea s\u0103 scrie Cella Delavrancea, fiica cea mare a bunului\n\t\t\t\tprieten Barbu \u0218tef\u0103nescu Delavrancea, \u00een cartea sa \u201eDintr-un\n\t\t\t\tsecol de via\u021b\u0103\u201d (1987).<\/p><\/blockquote>\n\n\n\n

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\nCella\n\t\t\t\tDelavrancea \u0219i Ion Luca Caragiale cu c\u00e2teva s\u0103pt\u0103m\u00e2ni\n\t\t\t\t\u00eenaintea de moartea marelui dramaturg\n\t\t\t\t<\/p>\n\n\n\n

\n\t\t\t\tSicriul\n\t\t\t\tcu r\u0103m\u0103\u0219i\u021bele lui Ion Luca Caragiale s-a\u2026 \u201er\u0103t\u0103cit\u201d\n\t\t\t\tdou\u0103 s\u0103pt\u0103m\u00e2ni \u00een Austria!<\/h2>\n\n\n\n

Pe\n\t\t\t\t14 iunie, corpul lui Caragiale a fost depuse \u00een cavoul familiei\n\t\t\t\tdin cimitirul protestant din cartierul Sch\u00f6nenberg al\n\t\t\t\tBerlinului. Au fost de fa\u021b\u0103, \u00een afara familiei, \u0219i bunii s\u0103i\n\t\t\t\tprieteni Barbu \u0218tef\u0103nescu Delavrancea \u0219i Alexandru Vlahu\u021b\u0103\n\t\t\t\tAbia \u00een toamna aceluia\u0219i an 1912, r\u0103m\u0103\u0219i\u021bele sale au ajuns\n\t\t\t\t\u00een \u021bar\u0103, dup\u0103 un drum infernal, vagonul mortuar\n\t\t\t\t\u201er\u0103t\u0103cindu-se\u201d nu mai pu\u021bin de dou\u0103 s\u0103pt\u0103m\u00e2ni prin\n\t\t\t\tAustria.<\/p><\/blockquote>\n\n\n\n

Pe\n\t\t\t\t23 noiembrie 1912, Ion Luca Caragiale era, \u00een sf\u00e2r\u0219it,\n\t\t\t\t\u00eenmorm\u00e2ntat la Bucure\u0219ti. Cortegiul funerar, format la\n\t\t\t\tbiserica \u201eSf\u00e2ntul Gheorghe\u201d, a f\u0103cut un ocol prin fa\u0163a\n\t\t\t\tTeatrului Na\u0163ional, unde sicriul marelui dramaturg a fost\n\t\t\t\t\u00eengropat \u00een flori aruncate de miile de bucure\u015fteni care l-au\n\t\t\t\t\u00eenso\u021bit pe ultimul drum, \u00eencheiat la cimitirul \u201e\u015eerban\n\t\t\t\tVod\u0103\u201d (acum \u201eBellu\u201d). La aniversarea centenarului na\u015fterii\n\t\t\t\tsale, \u00een 1952, trupul lui Ion Luca Caragiale a fost exhumat \u015fi\n\t\t\t\tmutat l\u00e2ng\u0103 morm\u00e2ntul lui Eminescu, pe \u201eAleea Scriitorilor\u201d.<\/p><\/blockquote>\n\n\n\n

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\nIon\n\t\t\t\tLuca Caragiale se odihne\u0219te al\u0103turi de Mihai Eminescu, pe\n\t\t\t\t\u201eAleea Scriitorilor\u201d din cimitirul \u201eBellu\u201d\n\t\t\t\t<\/p>\n\n\n\n

\u00b7        \n\t\t\t\t\u201e<\/strong>Ast\u0103zi\n\t\t\t\ta devenit de mult\u0103 vreme un loc comun faptul c\u0103 odat\u0103 cu\n\t\t\t\tteatrul lui Caragiale, povestirile lui Creang\u0103 \u015fi poeziile lui\n\t\t\t\tEminescu, literatura rom\u00e2n\u0103 a intrat pentru prima dat\u0103 \u00een\n\t\t\t\tcircuitul larg al valorilor culturii universale\u201d<\/strong>\n\t\t\t\t\u2013 <\/strong>Romul\n\t\t\t\tMunteanu<\/strong><\/p><\/blockquote>\n\n\n\n

\u00b7        \n\t\t\t\t <\/p><\/blockquote>\n\n\n\n

\u00b7        \n\t\t\t\t\u201e<\/strong>Printr-un\n\t\t\t\tnea\u015fteptat dar al soartei, \u00een timp ce poezia rom\u00e2n\u0103 c\u00e2\u015ftig\u0103\n\t\t\t\t\u00een Eminescu expresia ei cea mai \u00eenalt\u0103, proza narativ\u0103 \u015fi\n\t\t\t\tteatrul ating acela\u015fi nivel \u00een Ion Luca Caragiale, un scriitor\n\t\t\t\tpe care \u00eel \u00eenrude\u015fte cu emulul s\u0103u \u00een liric\u0103 aceea\u015fi\n\t\t\t\tperfec\u0163iune a con\u015ftiin\u0163ei artistice, acela\u015fi cult al\n\t\t\t\tcuv\u00e2ntului rom\u00e2nesc pe care \u00eel \u00eenzestreaz\u0103 cu noi \u015fi mari\n\t\t\t\tputeri expresive\u201d<\/strong>\n\t\t\t\t\u2013 <\/strong>Tudor\n\t\t\t\tVianu<\/strong><\/p><\/blockquote>\n\n\n\n

\u00b7        \n\t\t\t\t <\/p><\/blockquote>\n\n\n\n

\u00b7        \n\u201e<\/strong>Suntem\n\u0163ara din care Caragiale a fugit exasperat, \u0163ara \u00een care Eminescu\n\u015fi-a pierdut min\u0163ile, \u0163ara care a refuzat, iresponsabil, oferta\nlui Br\u00e2ncu\u015fi la b\u0103tr\u00e2ne\u0163e: aceea de a-\u015fi l\u0103sa \u00eentreaga oper\u0103\ncompatrio\u0163ilor s\u0103i. \u0162ara care \u015fi-a omor\u00e2t elitele \u00een pu\u015fc\u0103rie,\n\u0163ara \u00een care n-au mai vrut s\u0103 se \u00eentoarc\u0103 Mircea Eliade, Emil\nCioran, Eugen Ionescu, George Enescu. \u0162ara din care pleac\u0103, mereu,\ntineri excep\u0163ionali, \u015fi nu doar s\u0103 se c\u0103p\u0103tuiasc\u0103, \u0163ara care\nfurnizeaz\u0103 Europei milioane de muncitori cu ziua, prost utiliza\u0163i\n\u015fi prost pl\u0103ti\u0163i la ei acas\u0103. Nu pot dec\u00e2t s\u0103 sper c\u0103, sub\naceast\u0103 pojghi\u0163\u0103 de mizerie, exist\u0103 \u015fi o alt\u0103 \u0163ar\u0103, \u0163ara\nunor oameni cuviincio\u015fi \u015fi cinsti\u0163i, \u0163ara celor ce \u015ftiu s\u0103 se\nrespecte \u00eentre ei \u015fi s\u0103 nu se lase manipula\u0163i de c\u00e2teva trupe\nbarbare de oameni strica\u0163i \u015fi stric\u0103tori de suflete\u201d<\/strong>\n\u2013 <\/strong>Andrei\nPle\u0219u<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Cutremurator….urma\u0219ii nu se dezmint Motivul pentru care Ion Luca Caragiale a p\u0103r\u0103sit Rom\u00e2nia \u0219i a ales s\u0103 moar\u0103 \u00een Germania. GALERIE FOTOFotografie istoric\u0103: George Co\u0219buc, Elena Vaida Voievod, dr. Ciuta (Bistri\u021ba), Alex. Vaida-Voievod, I.L. Caragiale la Karlsbad, \u00een Germania, \u00een 1911 (de la st\u00e2nga la dreapta) Se \u00eemplinesc pe 1 februarie 167 de ani de la na\u0219terea celui \u201emai mare dramaturg rom\u00e2n\u201d, dup\u0103 cum \u00eel numea George C\u0103linescu pe Ion…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2324"}],"collection":[{"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2324"}],"version-history":[{"count":0,"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=\/wp\/v2\/posts\/2324\/revisions"}],"wp:attachment":[{"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/draculascastle.com\/wordpress\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}